Belfries of Belgium and France (Belfry of Tournai) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Belfries of Belgium and France (Hallentoren belfry and halls of Bruges) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1995

Historic Centre of Brugge | Belgium

Brugge is an outstanding example of a medieval historic settlement, which has maintained its historic fabric as this has evolved over the centuries, and where original Gothic constructions form part of the town's identity. As one of the commercial and cultural capitals of Europe, Brugge developed cultural links to different parts of the world. It is closely associated with the school of Flemish Primitive painting.

Year of inscription: 2000

Belfries of Belgium and France (Belfry of St. Peter's Church and Tower, Leuven) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Major Mining Sites of Wallonia (Blegny-Mine) | Belgium

The four sites of the property form a strip 170 km long by 3–15 km wide, crossing Belgium from east to west, consisting of the best-preserved 19th- and 20th-century coal-mining sites of the country. It features examples of the utopian architecture from the early periods of the industrial era in Europe within a highly integrated, industrial and urban ensemble, notably the Grand-Hornu colliery and workers’ city designed by Bruno Renard in the first half of the 19th century. Bois-du-Luc includes numerous buildings erected from 1838 to 1909 and one of Europe’s oldest collieries dating back to the late 17th century. While Wallonia had hundreds of collieries, most have lost their infrastructure, while the four components of the listed site retain a high measure of integrity.

Year of Inscription: 2012

Belfries of Belgium and France (St. Rumbolds Tower of the Cathedral, Mechelen) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement (Maison Guiete) | Belgium

Chosen from the work of Le Corbusier, the 17 sites comprising this transnational serial property are spread over seven countries and are a testimonial to the invention of a new architectural language that made a break with the past. They were built over a period of a half-century, in the course of what Le Corbusier described as “patient research”. The Complexe du Capitole in Chandigarh (India), the National Museum of Western Art, Tokyo (Japan), the House of Dr Curutchet in La Plata (Argentina) and the Unité d’habitation in Marseille (France) reflect the solutions that the Modern Movement sought to apply during the 20th century to the challenges of inventing new architectural techniques to respond to the needs of society. These masterpieces of creative genius also attest to the internationalization of architectural practice across the planet.

Year of Inscription: 2016

Funerary and memory sites of the First World War (Tyne Cot) | Belgium

All along the Western Front of the First World War, which stretched for some 700 km from the North Sea to the Franco-Swiss border, a series of 139 funerary and memorial sites bear witness to the common desire of the various parties involved in the conflict to honour their children who fell in battle. This objective takes the form of individual graves and/or memorials listing the names of the missing. Places dedicated to meditation, remembrance and tributes are specially created. Beyond the diversity in size, location and design, there is a clear desire to create spaces that are worthy of the sacrifice made. This is reflected in the choice of noble materials, as well as in calls for renowned architects, botanists, landscape architects and artists to design sites of exceptional architectural, artistic and landscape quality. These sites are visited daily by pilgrims, individual visitors, official delegations, school groups, local community representatives and descendants. They bear witness to funerary and memorial practices that are still relevant today, as remains discovered by chance or during archaeological excavations are still buried there with all honours. These commemorative sites represent a heritage that almost literally belongs to the whole world, spreading a message of reconciliation that is still very topical.

Year of Inscription: 2023

Neolithic Flint Mines at Spiennes (Mons) | Belgium

The Neolithic flint mines at Spiennes, covering more than 100 ha, are the largest and earliest concentration of ancient mines in Europe. They are also remarkable for the diversity of technological solutions used for extraction and for the fact that they are directly linked to a settlement of the same period.

Year of Inscription: 2000

Major Town Houses of the Architect Victor Horta (Brussels) (Hôtel van Eetvelde) | Belgium

The four major town houses - Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta - located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the most remarkable pioneering works of architecture of the end of the 19th century. The stylistic revolution represented by these works is characterised by their open plan, the diffusion of light, and the brilliant joining of the curved lines of decoration with the structure of the building.

Year of Inscription: 2000

Belfries of Belgium and France (Belfry of Mons) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Stoclet House | Belgium

When banker and art collector Adolphe Stoclet commissioned this house from one of the leading architects of the Vienna Secession movement, Josef Hoffmann, in 1905, he imposed neither aesthetic nor financial restrictions on the project. The house and garden were completed in 1911 and their austere geometry marked a turning point in Art Nouveau, foreshadowing Art Deco and the Modern Movement in architecture. Stoclet House is one of the most accomplished and homogenous buildings of the Vienna Secession, and features works by Koloman Moser and Gustav Klimt, embodying the aspiration of creating a ‘total work of art' (Gesamtkunstwerk). Bearing testimony to artistic renewal in European architecture, the house retains a high level of integrity, both externally and internally as it retains most of its original fixtures and furnishings.

Year of Inscription: 2009

Belfries of Belgium and France (Veurne's Landhuis and Belfry) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Belfries of Belgium and France (Belfry, Cloth Hall and Mammelokker of Ghent) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Belfries of Belgium and France (Mechelen's Old Cloth Hall with Belfry) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Flemish Béguinages (Béguinage de Diest) | Belgium

The Béguines were women who dedicated their lives to God without retiring from the world. In the 13th century they founded the béguinages , enclosed communities designed to meet their spiritual and material needs. The Flemish béguinages are architectural ensembles composed of houses, churches, ancillary buildings and green spaces, with a layout of either urban or rural origin and built in styles specific to the Flemish cultural region. They are a fascinating reminder of the tradition of the Béguines that developed in north-western Europe in the Middle Ages.

Year of Inscription: 1998

Flemish Béguinages (Béguinage de Bruges) | Belgium

The Béguines were women who dedicated their lives to God without retiring from the world. In the 13th century they founded the béguinages , enclosed communities designed to meet their spiritual and material needs. The Flemish béguinages are architectural ensembles composed of houses, churches, ancillary buildings and green spaces, with a layout of either urban or rural origin and built in styles specific to the Flemish cultural region. They are a fascinating reminder of the tradition of the Béguines that developed in north-western Europe in the Middle Ages.

Year of Inscription: 1998

Belfries of Belgium and France (Antwerp's Cathedral of Our Lady) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

Year of Inscription: 1999

Belfries of Belgium and France (Antwerp City Hall) | Belgium

Twenty-three belfries in the north of France and the belfry of Gembloux in Belgium were inscribed in 2005, as an extension to the 32 Belgian belfries inscribed in 1999 as Belfries of Flanders and Wallonia. Built between the 11th and 17th centuries, they showcase the Roman, Gothic, Renaissance and Baroque styles of architecture. They are highly significant tokens of the winning of civil liberties. While Italian, German and English towns mainly opted to build town halls, in part of north-western Europe, greater emphasis was placed on building belfries. Compared with the keep (symbol of the seigneurs) and the bell-tower (symbol of the Church), the belfry, the third tower in the urban landscape, symbolizes the power of the aldermen. Over the centuries, they came to represent the influence and wealth of the towns.

The Four Lifts on the Canal du Centre and their Environs, La Louvière and Le Roeulx (Hainaut) | Belgium

The four hydraulic boat-lifts on this short stretch of the historic Canal du Centre are industrial monuments of the highest quality. Together with the canal itself and its associated structures, they constitute a remarkably well-preserved and complete example of a late-19th-century industrial landscape. Of the eight hydraulic boat-lifts built at the end of the 19th and beginning of the 20th century, the only ones in the world which still exist in their original working condition are these four lifts on the Canal du Centre.

Year of inscription: 1998